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Hmm, that's an interesting palette, James, and one which would work for anyone studying how to mix colors.
For actual work on a painting, I have found it wise to eliminate squeezing out any colors that will not be used. Color is so difficult to deal with that I have found it best to simplify. Thus, a portrait palette (for flesh tones) will seldom have green in it and almost nver any blue.
I also prefer to work with a set palette on which the individual mixtures have
been divided according to Value.
Re:
your best recommended palette to work with ( primary colors preferably)--esp red?
James Morton
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