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There’s another problem too. Some of the auction house ‘art experts’ are quite resourceful. There is quite good access to genuine pictures here in the UK and it doesn’t help to have your ‘Herring’ compared to several real ‘Herrings’. No matter how good a chap might be, when his 19th century work comes up against several quality originals it becomes much harder to deceive (sometimes I loose out because my picture is too old – madness!). I need pastures new!!
Let’s say for example that we managed to get an export license for our picture. How would it fair in a respectable auction house in a modest sized US city? Let’s get a few things straight here; I’m not talking about a $600,000 painting because they will call in an ‘expert’ from somewhere before they give it provenance. I’m talking about a nice little 19th century sporting painting that could fetch upwards of $10,000. Who gives the lesser picture provenance and what reference source do they use, because if it’s photos they use there is no way they will detect a determined faker.
Now before someone gives me a verbal punishing for being disrespectful to the
good old USA and it’s specialists in the fine art field. I want to say the following:
I’m not questioning their ability to detect fraud or recognise quality antique
art. BUT without a ready supply of original lesser works how do they keep on
top of the $5-25,000 picture market? Don’t they care? Or do greedy punters drive
the whole show?
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