Art
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: : :I noticed that it cracked if used on a flexible support i.e. stretched canvas; this was also the experience of another painter who had tried it. I do not recall being able to obtain impastoes with it even remotely resembling Rembrandt's; as a matter of fact, it seemed to offer nothing in terms of handling and interesting effects; its only advantage was that it was hard and fast drying. If one wants to experiment with emulsion whites, I would suggest that it be done on a rigid substrate such as canvas mounted on panel.
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