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: so what's the best way to get luminous depth? my instinct says:
: 1) extremely bright underpainting (flake white)
: 2) lighter glaze layers (lean, diluted w/ turpentine only?)
: 3) medium hues, (more fatty oil, glaze compounds)
: 4) topmost darks (whatever, at least transparent)
: 5) finishing layers
: Sound about right? SO many light layers is the best path you think? I'm not convinced that any 'magic' medium is the answer. But does this philosophy sound good? I'm just starting out. If you can recommend a good white underlayer, or a good light light light glazing technique that build up luminous layers, please let me know!!
: Lindsey
I cannot comment on the procedure that you refer to since it is too generalized
for me to quite grasp, but here is a modification of the "Venetian Method" as
proposed by Eastlake that I have used for a decade and which produces luminous
results: 1) white gesso or oil ground, 2) ink in underdrawing in black india
ink, 3) transparent imprimatura of reddish or purplish gray in dilute alkyd
, 4) grisaille underpainting with black, white, and a purplish red (and perhaps
ultramarine if more coolness is desired)(alkyd colors or medium is good at this
stage as they dry fast), 5) glaze on the local colors using the transparent
colors made by Rembrandt and other colormen (use very little medium as these
colors are usually oily), 6) heighten with light grays composed of black, white,
red ochre, and yellow ochre (use little medium), 7) glaze, scumble, and finish
using rich medium.
What is an alkyd? Isn't that cheating? Lindsey
Posted at: 09/15/00 (4)
Re:
What is an alkyd? Isn't that cheating? James Morton Posted
at: 09/15/00 (0)
Re:
What is an alkyd? Isn't that cheating? rhoward Posted at:
09/15/00 (2)
Re:
What is an alkyd? Isn't that cheating? bri Posted at: 09/16/00
(1)
Re:
What is an alkyd? Isn't that cheating? rob howard Posted
at: 09/16/00 (0)
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