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233 by mark
on 11/13/01 at 7:37 PM : Does anyone can decribe Ingres techniques I really want to know?Please
: Regards: Abdi Ridha Malik: Jakarta-Indonesiathe main technique Ingres
seems to have used was to begin with a white, grey and black underpainting.
this underpainting probably looked alot like a black and white photograph.
when the underpainting was dry, full color was then brushed over the underpainting
in several thin layers, allowing the underpainting to help "model" the
forms..... for "proof," try to find a book on paintings in the Metropolitan
Museum of Art in N.Y.City. First, the museum has a black and white version
of the Grande Odalesque. Also, if you look at the portrait of the Princess
De Broglie, in the "Lehman Collection" of the museum, you will see grey
tones around the edges of the flesh areas. also, the blue dress has some
areas where the grey tones of the underpainting show through, where the
blue glaze wasn't completely brushed over the underpainting. Other paintings
that seem to have this black, white and grey underpainting followed by
several thin layers of color are: the portrait of Napoleon on the Throne,
the Joan of Arc, The Source, Madame Moitessier (both in the Louvre), Jupiter
and Thetis, and the Bather of Valpincon..... hope this helps. mark jacobson
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