Re: Verdaccio 56 by rob howard on 10/16/00 at 9:43 PM
Re: Verdaccio

In Reply to: Verdaccio posted by Jack on 10/16/00 at 2:27 PM:

: I understand there is a technique (called "verdaccio") of underpainting flesh tones with a grey-green tone. Does anyone have experience with this technique? If so, could you explain it to me in a little more detail? Thanks.

Yes. I use it when painting portraits of women with pale skin. It helps produce a more porcelain skin look...very lively looking. I tend to go for a very green underpainting rather than the greyish, more grisaille underpainting. The green under a standard portrait palette creates a nice depth.




Follow Ups:

Re: Verdaccio Jack   Posted at: 10/17/00 (7)
Re: Verdaccio rob howard   Posted at: 10/17/00 (6)
Re: Verdaccio Matt   Posted at: 11/19/00 (4)
Re: Verdaccio anon   Posted at: 11/19/00 (1)
Re: Verdaccio Livy   Posted at: 11/19/00 (0)
Re: Verdaccio anon   Posted at: 11/19/00 (0)
Re: Verdaccio anon   Posted at: 11/19/00 (0)
Re: Verdaccio Jack   Posted at: 10/17/00 (0)

Post a Followup 52,56"> rob howard"> webmaster_studioproducts.comRe: Verdaccio_10/16/00 at 9:43 PM"> "Re: Verdaccio"
I understand there is a technique (called "verdaccio") of underpainting flesh tones with a grey-green tone. Does anyone have experience with this technique? If so, could you explain it to me in a little more detail? Thanks.: Yes. I use it when painting portraits of women with pale skin. It helps produce a more porcelain skin look...very lively looking. I tend to go for a very green underpainting rather than the greyish, more grisaille underpainting. The green under a standard portrait palette creates a nice depth.

 
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